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<title><![CDATA[&quot;Contentment #437&quot; - A figurative piece from start to finish]]></title>
<link>http://davidhuang.org/gallery2/main.php?g2_itemId=911</link>
<description><![CDATA[People, myself included, often seem confused or bewildered when I tell them that my figurative pieces were hammered from a flat sheet of copper. The mind seems to have a hard time grasping just how this could be done. We've all heard that metal, particularly copper, is malleable, but just what does that mean? In this section I intend to visually demonstrate just how malleable copper is and how step by step a flat sheet can become a three-dimensional human figure. With this piece, Contentment #437, I shot an image at the beginning of every course. I'm defining a course as a period of hammering between annealings. Annealing is the process of heating and quenching the metal to get it back to a softened state (see the &quot;David Huang at work&quot; section). I'm sharing this with you, though honestly, I've always wanted to see all the stages laid out for myself.<br />
<br />
<font color="#543994">I have to put a huge thanks out to Fred Zweig for the survival of this series.  When my website was accidentally fried into oblivion I was unable to fully recover all the images from this series.  However, Fred had downloaded a copy to his computer previously and upon learning of my plight was able to get the entire series to me to restore to the website.<br />
<br />
Fred is a fellow metalsmith whose work and goings on you can catch on his blog, <a href="http://fredz49.blogspot.com/" rel="nofollow">http://fredz49.blogspot.com/</a>.<br />
<br />
You can also see a piece commissioned for his 30th wedding anniversary, Whorled Flow #638, being created in the same step by step photographic series <a href="http://davidhuang.org/gallery2/main.php?g2_itemId=1463" rel="nofollow">here</a>.<br />
<br />
Again, a big thanks to Fred!!</font>]]></description>
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 <title><![CDATA[&quot;Contentment #437&quot; - A figurative piece from start to finish]]></title>
 <link>http://davidhuang.org/gallery2/main.php?g2_itemId=911</link></image>
<item>
 <title><![CDATA[Contentment #437: the finished piece (back view)]]></title>
 <link>http://davidhuang.org/gallery2/main.php?g2_itemId=6367</link>
 <guid isPermaLink="false">http://davidhuang.org/gallery2/main.php?g2_itemId=6367</guid>
 <description><![CDATA[<a href="http://davidhuang.org/gallery2/main.php?g2_itemId=6367"><img border="0" src="http://davidhuang.org/gallery2/main.php?g2_view=core.DownloadItem&amp;g2_itemId=6368" width="158" height="200"/></a><br/>Once the paste wax dries the piece gets a final buff with a soft cloth and here it is, complete at last.  It took approximately 3 weeks to create, working full-time.  The final dimensions are 12.75&quot; x 13.25&quot; x 13.25&quot;.  Just looking at the finished product it doesn't seem possible that such a form could be hammered out of a flat sheet, but now you've seen how it happens one little bit at a time.  My learning to do this sort of thing also happened a little bit at a time.  With my first figurative piece I couldn't even concieve of developing a form such as this, it was more of a high relief reclining body.  On my next vessel I pushed it a little more, and then the next a little more still, etc.  Eventually I got to where I am now, hopefully with much more development yet ahead of me.  Metal is an amazing substance!]]></description>
 <author>David Huang</author>
 <category>photo</category>
 <pubDate>Fri, 12 Jun 2009 22:20:42 -0400</pubDate>
</item>
<item>
 <title><![CDATA[Contentment #437: the finished piece (side view)]]></title>
 <link>http://davidhuang.org/gallery2/main.php?g2_itemId=6364</link>
 <guid isPermaLink="false">http://davidhuang.org/gallery2/main.php?g2_itemId=6364</guid>
 <description><![CDATA[<a href="http://davidhuang.org/gallery2/main.php?g2_itemId=6364"><img border="0" src="http://davidhuang.org/gallery2/main.php?g2_view=core.DownloadItem&amp;g2_itemId=6365" width="184" height="200"/></a><br/>Once the paste wax dries the piece gets a final buff with a soft cloth and here it is, complete at last.  It took approximately 3 weeks to create, working full-time.  The final dimensions are 12.75&quot; x 13.25&quot; x 13.25&quot;.  Just looking at the finished product it doesn't seem possible that such a form could be hammered out of a flat sheet, but now you've seen how it happens one little bit at a time.  My learning to do this sort of thing also happened a little bit at a time.  With my first figurative piece I couldn't even concieve of developing a form such as this, it was more of a high relief reclining body.  On my next vessel I pushed it a little more, and then the next a little more still, etc.  Eventually I got to where I am now, hopefully with much more development yet ahead of me.  Metal is an amazing substance!]]></description>
 <author>David Huang</author>
 <category>photo</category>
 <pubDate>Fri, 12 Jun 2009 22:20:42 -0400</pubDate>
</item>
<item>
 <title><![CDATA[Contentment #437: the finished piece (detail)]]></title>
 <link>http://davidhuang.org/gallery2/main.php?g2_itemId=6361</link>
 <guid isPermaLink="false">http://davidhuang.org/gallery2/main.php?g2_itemId=6361</guid>
 <description><![CDATA[<a href="http://davidhuang.org/gallery2/main.php?g2_itemId=6361"><img border="0" src="http://davidhuang.org/gallery2/main.php?g2_view=core.DownloadItem&amp;g2_itemId=6362" width="150" height="200"/></a><br/>Once the paste wax dries the piece gets a final buff with a soft cloth and here it is, complete at last.  It took approximately 3 weeks to create, working full-time.  The final dimensions are 12.75&quot; x 13.25&quot; x 13.25&quot;.  Just looking at the finished product it doesn't seem possible that such a form could be hammered out of a flat sheet, but now you've seen how it happens one little bit at a time.  My learning to do this sort of thing also happened a little bit at a time.  With my first figurative piece I couldn't even concieve of developing a form such as this, it was more of a high relief reclining body.  On my next vessel I pushed it a little more, and then the next a little more still, etc.  Eventually I got to where I am now, hopefully with much more development yet ahead of me.  Metal is an amazing substance!]]></description>
 <author>David Huang</author>
 <category>photo</category>
 <pubDate>Fri, 12 Jun 2009 22:20:42 -0400</pubDate>
</item>
<item>
 <title><![CDATA[Contentment #437: the finished piece (detail)]]></title>
 <link>http://davidhuang.org/gallery2/main.php?g2_itemId=6358</link>
 <guid isPermaLink="false">http://davidhuang.org/gallery2/main.php?g2_itemId=6358</guid>
 <description><![CDATA[<a href="http://davidhuang.org/gallery2/main.php?g2_itemId=6358"><img border="0" src="http://davidhuang.org/gallery2/main.php?g2_view=core.DownloadItem&amp;g2_itemId=6359" width="150" height="200"/></a><br/>Once the paste wax dries the piece gets a final buff with a soft cloth and here it is, complete at last.  It took approximately 3 weeks to create, working full-time.  The final dimensions are 12.75&quot; x 13.25&quot; x 13.25&quot;.  Just looking at the finished product it doesn't seem possible that such a form could be hammered out of a flat sheet, but now you've seen how it happens one little bit at a time.  My learning to do this sort of thing also happened a little bit at a time.  With my first figurative piece I couldn't even concieve of developing a form such as this, it was more of a high relief reclining body.  On my next vessel I pushed it a little more, and then the next a little more still, etc.  Eventually I got to where I am now, hopefully with much more development yet ahead of me.  Metal is an amazing substance!]]></description>
 <author>David Huang</author>
 <category>photo</category>
 <pubDate>Fri, 12 Jun 2009 22:20:42 -0400</pubDate>
</item>
<item>
 <title><![CDATA[Contentment #437: the finished piece]]></title>
 <link>http://davidhuang.org/gallery2/main.php?g2_itemId=6355</link>
 <guid isPermaLink="false">http://davidhuang.org/gallery2/main.php?g2_itemId=6355</guid>
 <description><![CDATA[<a href="http://davidhuang.org/gallery2/main.php?g2_itemId=6355"><img border="0" src="http://davidhuang.org/gallery2/main.php?g2_view=core.DownloadItem&amp;g2_itemId=6356" width="150" height="200"/></a><br/>Once the paste wax dries the piece gets a final buff with a soft cloth and here it is, complete at last.  It took approximately 3 weeks to create, working full-time.  The final dimensions are 12.75&quot; x 13.25&quot; x 13.25&quot;.  Just looking at the finished product it doesn't seem possible that such a form could be hammered out of a flat sheet, but now you've seen how it happens one little bit at a time.  My learning to do this sort of thing also happened a little bit at a time.  With my first figurative piece I couldn't even concieve of developing a form such as this, it was more of a high relief reclining body.  On my next vessel I pushed it a little more, and then the next a little more still, etc.  Eventually I got to where I am now, hopefully with much more development yet ahead of me.  Metal is an amazing substance!]]></description>
 <author>David Huang</author>
 <category>photo</category>
 <pubDate>Fri, 12 Jun 2009 22:20:42 -0400</pubDate>
</item>
<item>
 <title><![CDATA[Contentment #437: the finished piece (another view)]]></title>
 <link>http://davidhuang.org/gallery2/main.php?g2_itemId=6349</link>
 <guid isPermaLink="false">http://davidhuang.org/gallery2/main.php?g2_itemId=6349</guid>
 <description><![CDATA[<a href="http://davidhuang.org/gallery2/main.php?g2_itemId=6349"><img border="0" src="http://davidhuang.org/gallery2/main.php?g2_view=core.DownloadItem&amp;g2_itemId=6350" width="150" height="200"/></a><br/>Once the paste wax dries the piece gets a final buff with a soft cloth and here it is, complete at last.  It took approximately 3 weeks to create, working full-time.  The final dimensions are 12.75&quot; x 13.25&quot; x 13.25&quot;.  Just looking at the finished product it doesn't seem possible that such a form could be hammered out of a flat sheet, but now you've seen how it happens one little bit at a time.  My learning to do this sort of thing also happened a little bit at a time.  With my first figurative piece I couldn't even concieve of developing a form such as this, it was more of a high relief reclining body.  On my next vessel I pushed it a little more, and then the next a little more still, etc.  Eventually I got to where I am now, hopefully with much more development yet ahead of me.  Metal is an amazing substance!]]></description>
 <author>David Huang</author>
 <category>photo</category>
 <pubDate>Fri, 12 Jun 2009 22:20:42 -0400</pubDate>
</item>
<item>
 <title><![CDATA[Step 74: The final layer of wax.]]></title>
 <link>http://davidhuang.org/gallery2/main.php?g2_itemId=6328</link>
 <guid isPermaLink="false">http://davidhuang.org/gallery2/main.php?g2_itemId=6328</guid>
 <description><![CDATA[<a href="http://davidhuang.org/gallery2/main.php?g2_itemId=6328"><img border="0" src="http://davidhuang.org/gallery2/main.php?g2_view=core.DownloadItem&amp;g2_itemId=6329" width="200" height="150"/></a><br/>Finally I apply a layer of paste wax to the piece.  I don't generally apply gold leaf to these figurative pieces, so I waxed the interior as well.  In this photo you can see how the patina looks much darker when the wax is initially brushed on.  After it dries the colors get lighter again, unless I heated the piece and applied the wax hot.  I wanted the lighter color so this is a cold wax application.]]></description>
 <author>David Huang</author>
 <category>photo</category>
 <pubDate>Fri, 12 Jun 2009 22:06:05 -0400</pubDate>
</item>
<item>
 <title><![CDATA[Step 73: A little accent in the eyes. (detail after)]]></title>
 <link>http://davidhuang.org/gallery2/main.php?g2_itemId=6326</link>
 <guid isPermaLink="false">http://davidhuang.org/gallery2/main.php?g2_itemId=6326</guid>
 <description><![CDATA[<a href="http://davidhuang.org/gallery2/main.php?g2_itemId=6326"><img border="0" src="http://davidhuang.org/gallery2/main.php?g2_view=core.DownloadItem&amp;g2_itemId=6327" width="200" height="150"/></a><br/>Here's a close up after adding a few accents.  She seems much more alive to me after this little change.]]></description>
 <author>David Huang</author>
 <category>photo</category>
 <pubDate>Fri, 12 Jun 2009 22:05:22 -0400</pubDate>
</item>
<item>
 <title><![CDATA[Step 73: A little accent in the eyes. (detail before)]]></title>
 <link>http://davidhuang.org/gallery2/main.php?g2_itemId=6324</link>
 <guid isPermaLink="false">http://davidhuang.org/gallery2/main.php?g2_itemId=6324</guid>
 <description><![CDATA[<a href="http://davidhuang.org/gallery2/main.php?g2_itemId=6324"><img border="0" src="http://davidhuang.org/gallery2/main.php?g2_view=core.DownloadItem&amp;g2_itemId=6325" width="200" height="150"/></a><br/>Here's a close up before the colored pencil work.]]></description>
 <author>David Huang</author>
 <category>photo</category>
 <pubDate>Fri, 12 Jun 2009 22:05:22 -0400</pubDate>
</item>
<item>
 <title><![CDATA[Step 73: A little accent in the eyes.]]></title>
 <link>http://davidhuang.org/gallery2/main.php?g2_itemId=6322</link>
 <guid isPermaLink="false">http://davidhuang.org/gallery2/main.php?g2_itemId=6322</guid>
 <description><![CDATA[<a href="http://davidhuang.org/gallery2/main.php?g2_itemId=6322"><img border="0" src="http://davidhuang.org/gallery2/main.php?g2_view=core.DownloadItem&amp;g2_itemId=6323" width="200" height="150"/></a><br/>The eyes are one of the most important sections of these pieces.  I didn't feel like the light and shadows created from the form of the metal was enough to make them alive.  To give them a little spark I pulled out the Prismacolor pencils and added a few small, but important, touches.]]></description>
 <author>David Huang</author>
 <category>photo</category>
 <pubDate>Fri, 12 Jun 2009 22:05:22 -0400</pubDate>
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